Emily Swallow

Swallow began her Broadway career, performing in several productions, including High Fidelity at the Guthrie Theater and King Lear for Shakespeare in the Park. Additionally, she performed in Much Ado About Nothing for Shakespeare in the Park and the World Premiere of Off-Broadway plays Romantic Poetry, Measure for Pleasure. Swallow made her debut on film in 2008's military-themed drama The Lucky Ones. Swallow was a co-star with Mark Rylance at the Guthrie Theatre in Louis Jenkins' play Nice Fish. She also starred being in Donald Margulies' play The Country House, at Los Angeles' Geffen Playhouse. She also starred at Manhattan Theater Club in John Patrick Shanley's musical Romantic Poetry, which was the first time it was performed in the world. She was honored in 2010 with the Falstaff Award, which is awarded to the actress who has performed the best in a stage production. Her performance of the role in The Taming of the Shrew as Kate earned her the prize. 4 In 2012, Swallow along with fellow comedian Jac Huberman conceived an stage production titled Jac N Swallow, which they staged in New York at the Laurie Beeckman Theater and Joe's Pub. [5] This show is centered on the comedy of adventures as the two navigate various life circumstances with different level of sanity. The series is in the process of being made around the characters. Nice Fish was premiered at the Guthrie Theater in 2013. The show was developed with Mark Rylance. In 2016, she played the role of Ayad Akhtar in the show Disgraced, produced by Center Theatre Group. Swallow made her television debut with Guiding Light. Her other roles are Southland. The Good Wife. NCIS. Flight of the Conchords. Medium. As series regular the character Dr. Michelle Robidaux in TNT's medical drama, Monday Mornings[22. She was FBI Agent Kim Fischer as a leading role as Kim Fischer in The Mentalist. [1][7] She played Amara, the Darkness in the 11th season of Supernatural. In 2019, she'll take on the role as Armorer, the traditionalist leader of Mandalorians as seen in Star Wars' The Mandalorian. As the traditionalists do not take off their helmets their faces are not visible. This is evident more so in Season 3 as the focus upon the Mandalorian and its people is increasing. Emily Emily Emily

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